Invocation



I.

Play on my soul, thou Spirit from the skies,
And with me rise
    Far o'er the tops of upward-gazing trees,
That I, before so mute,
Transformed, become they lute,
    May learn the secret of all harmonies.
Be seated in a warm love-light;
Play tenderly, and from some tranquil height
Drop down clear notes of peace to men below:
Possess me, fly with me—I care not where we go.

II.

Ah! Do not sing of pain!
    But from the chords entice
At eve a moving strain;
    And be some rare device,
Turn all my tears to music-pearls, and set
    About the borders of the living lute,
To make, when thou dost sing,
Continuous murmuring,
    Faint as the echo of a Naiad's flute,
But flowing with a cool, refreshing sound,
Like hidden waters springing from the ground.

III.

Sometimes, I pray three, Spirit, linger long
Over a drowsy song
    Such as new-mated thrushes lisp in sleep;
Make it so soothing and so low
That they who lie awake and know
How tardily the moments come and go,—
    All they that lie awake to weep —
May feel it like a touch of tenderness,
And only they may hear, and only they may bless.

IV.

Into thy music put the budding Spring,
With all her birds and every pleasant thing:
With words like flowers thy singing pastures set,
To teach me to forget
    The flexed chords that the world had keyed too low;
The strident wail; the shrilling discontent;
    And all the dissonance that marred me so
Before I had become thy instrument.



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From Joy, and Other Poems, by Danske Dandridge. Second Edition. New York and London: G.P. Putnam's Sons - Knickerbocker Press, 1900.